MythosData

comparativecomparisonsgreekromannorseegyptianflood

Flood Myths Compared

The Greek flood of Deucalion is told by Apollodorus and Ovid; the Norse poems keep only a giant in a boat; the Egyptian story that is usually compared, the Destruction of Mankind, is not a flood at all — Ra sends Hathor to slaughter men and stops her with a lake of red beer. This page says what each text actually contains.

Why this wins its question: Says plainly that two of the three "flood myths" are not floods in the surviving texts, and gives the passage for what each text does contain instead of assimilating them to the Greek pattern.

Key takeaways

  • The Greek flood is the only real flood in these texts; Apollodorus and Ovid agree on the chest, Parnassus and the stones.
  • The Norse "flood" survives in the Poetic Edda as one stanza about a giant in a boat, with no water named.
  • The Egyptian parallel is a massacre by Hathor stopped by beer, and the liquid that floods the fields is the beer, not water.
  • Zeus floods because of men's wickedness; Ra kills because men mock his age. Different sin, different god.

Claims

Every assertion below is bound to registered sources and carries its own confidence. Weight them; do not treat the page as uniformly authoritative.

  1. Apollodorus: "when Zeus would destroy the men of the Bronze Age, Deucalion by the advice of Prometheus constructed a chest", floated nine days and nights, landed on Parnassus, sacrificed to "Zeus, the god of Escape", and at Zeus's bidding threw stones over his head which became men, while Pyrrha's became women (Apollod. 1.7.2).

    confidence 0.93Apollodorus, The Library (Bibliotheca) — tr. Sir James George Frazer (Loeb, 1921), Perseus TEI edition · primary

  2. Ovid's Jove, after Lycaon's crime, first reaches for the thunderbolt and then remembers that fate reserves fire for the end of the world, so "he preferred to overwhelm the mortal race beneath deep waves"; Notus is loosed, Neptune opens the rivers, and the world is one sea (Met. 1.253–347). Deucalion and Pyrrha, "the best of men" and "the most reverent of women", land on Parnassus, consult Themis, and obey the oracle to throw "the bones of your great mother" — stones — which soften into people (Met. 1.348–415).

    confidence 0.92Ovid, Metamorphoses — tr. Brookes More (1922), Perseus TEI edition · primary

  3. The Poetic Edda has no flood narrative; what it has is a boat. Asked what he remembers farthest back, the giant says "Winters unmeasured ere earth was made was the birth of Bergelmir; this first knew I well, when the giant wise in a boat of old was borne" (Vafthruthnismol 35; his lineage in 29). Nothing in the poems read here says what the boat floated on or who drowned; the drowning of the giants in Ymir's blood is Prose-Edda narrative, which could not be read for this corpus.

    confidence 0.8The Poetic Edda — tr. Henry Adams Bellows (American-Scandinavian Foundation, 1923), XML edition by fjarri · primary

  4. The Egyptian Destruction of Mankind is not a flood. When men murmur that Ra "hath become old", the gods advise "Let thine Eye (Hathor) attack those who blaspheme thee"; Hathor slaughters them, and "for three nights the goddess Hathor-Sekhmet waded about in the blood of men". Ra relents: seven thousand vessels of beer mixed with red ochre and blood are "poured out on the meadows", Hathor drinks, falls asleep "and slew no more". Mankind survives; Ra withdraws to heaven on the back of the cow Nut (Budge Lit. ch. VII).

    confidence 0.9E. A. Wallis Budge, The Literature of the Ancient Egyptians (1914), Project Gutenberg #15932 via GITenberg · primary

  5. Cause and outcome sort the stories. The Greek flood punishes a race (the Bronze Age, Apollod. 1.7.2) or a crime (Lycaon's, Met. 1.163–252) and repopulates the earth from stones; the Egyptian slaughter punishes blasphemy against the king-god and ends with the survivors repenting and fighting Ra's enemies "with bows and arrows" (Budge Lit. ch. VII); the Norse boat has no stated cause and no stated aftermath (Vafthruthnismol 35).

    confidence 0.85Apollodorus, The Library (Bibliotheca) — tr. Sir James George Frazer (Loeb, 1921), Perseus TEI edition · primaryOvid, Metamorphoses — tr. Brookes More (1922), Perseus TEI edition · primaryE. A. Wallis Budge, The Literature of the Ancient Egyptians (1914), Project Gutenberg #15932 via GITenberg · primaryThe Poetic Edda — tr. Henry Adams Bellows (American-Scandinavian Foundation, 1923), XML edition by fjarri · primary

Flood Myths Compared

Comparative mythology likes to line up a Greek flood, a Norse flood and an Egyptian flood. The texts read for this corpus support one of the three.

Greek: Deucalion's chest

Apollodorus is brief: Zeus decides to destroy the men of the Bronze Age, Deucalion builds a chest on Prometheus's advice, rain floods most of Greece, the chest drifts nine days to Parnassus, Deucalion sacrifices to "Zeus, the god of Escape", and, told to throw stones over his head, makes men from his and women from Pyrrha's (Apollod. 1.7.2). Ovid tells it at length and adds a motive and a hesitation. The motive is Lycaon's crime (Met. 1.163–252). The hesitation is that Jove reaches for the thunderbolt and stops: "he remembered in the scroll of fate there is a time appointed when the sea and earth and Heavens shall melt, and fire destroy the universe", and so chooses water instead (Met. 1.253–347). The survivors consult Themis and obey her riddle — "the bones of your great mother" are stones — and the stones soften into people (Met. 1.348–415).

Norse: a giant in a boat

The Poetic Edda's only trace is in Odin's contest with Vafthruthnir. Asked for his earliest memory, the giant says: "Winters unmeasured ere earth was made was the birth of Bergelmir; this first knew I well, when the giant wise in a boat of old was borne" (Vafthruthnismol 35). That is all. No water is named, no drowning, no cause. The familiar story — the giants drowned in Ymir's blood, Bergelmir and his wife escaping — is in the Prose Edda, which could not be read here, and this page does not repeat it. The poems do have a sea that rises, but at the other end of time: "The sea, storm-driven, seeks heaven itself, o'er the earth it flows" (Hyndluljoth 44), part of the end of the world, not its beginning.

Egyptian: not water but Hathor

The Destruction of Mankind, cut in the tomb of Seti I and translated by Budge, is the Egyptian text that gets called a flood myth. Men mock Ra's age — "His bones have turned into silver, his flesh into gold" — and the gods advise him: "Let thine Eye (Hathor) attack those who blaspheme thee." Hathor pursues the blasphemers into the mountains and kills them, and "for three nights the goddess Hathor-Sekhmet waded about in the blood of men". Ra changes his mind. Seven thousand vessels of beer, reddened with crushed ochre and blood, are "poured out on the meadows of the four quarters of heaven"; Hathor drinks, "became very merry", sleeps, "and slew no more". Mankind is spared and repents; Ra, weary of men, rises to heaven on the cow-goddess Nut (Budge Lit. ch. VII). The only thing that floods the fields is beer. To call this a flood myth is to import the Greek pattern.

Criteria

CriterionGreek (Apollodorus, Ovid)Norse (Poetic Edda)Egyptian (Budge)
Agent of destructionZeus/Jove with rain and rivers (Apollod. 1.7.2; Met. 1.253–347)Not statedRa's Eye, Hathor-Sekhmet (Budge Lit. ch. VII)
MediumWaterA boat is mentioned; no water named (Vafthruthnismol 35)Slaughter; then beer on the fields
CauseThe Bronze Age; LycaonNot statedMen mock Ra's old age
SurvivorsDeucalion and Pyrrha on ParnassusBergelmirThe remnant of mankind
AftermathMen from stones (Apollod. 1.7.2; Met. 1.348–415)Not statedMen repent; Ra withdraws to heaven
Is it a floodYesNot in the poemsNo

Why did Zeus flood the earth?

Apollodorus says to end the Bronze Age; Ovid says because of Lycaon, who served human flesh to a god. Both agree on what Zeus wanted afterwards: people again, which is why the story ends with stones and not with silence.